Enter The Void -2009- New! Jun 2026
The story follows Oscar, a young American drug dealer living in Tokyo with his sister, Linda. After being fatally shot by police in a nightclub called "The Void," Oscar's soul separates from his body. The Soul's Journey:
The DNA of is visible everywhere today. The floating, ghost-POV shots have been directly referenced in movies like Hardcore Henry (2015) and TV shows like Love, Death & Robots (“The Witness”). Musicians from Kanye West to FKA twigs have commissioned music videos that mimic the film’s neon-saturated, first-person drifting. enter the void -2009-
In Enter the Void , the city is not a backdrop; it is an antagonist and a womb. The visuals are soaked in saturated colors—electric blues, violent reds, and toxic greens. The famous opening credits, designed by Tom Kan, assault the viewer with a rapid-fire montage of Japanese signage, setting the tone for a film that prioritizes sensory overload over linear storytelling. The story follows Oscar, a young American drug
Beneath the dazzling surface of drugs and depravity lies a surprisingly philosophical core. Noé has stated repeatedly that is his interpretation of The Tibetan Book of the Dead (the Bardo Thodol ), which describes the intermediate state (bardo) between death and the next rebirth. The floating, ghost-POV shots have been directly referenced
Noé takes this ancient text literally. The entire runtime is Oscar’s Bardo. He is terrified of the light (rebirth), so he floats backward, reliving his trauma. He watches his sister have sex, watches his friends argue, watches the city breathe—but he cannot touch anything. He is a poltergeist of nostalgia.
From the moment the bullet hits, Oscar’s spirit (or consciousness) detaches from his corpse. Bound by a promise to protect his sister, Linda (a stripper at a club called "The Void"), Oscar’s ghost drifts, omnisciently, through the neon-lit streets and claustrophobic apartments of Tokyo.
The plot is deceptively simple. Oscar (Nathaniel Brown) is a young American drug dealer living in Tokyo with his sister, Linda (Paz de la Huerta). An avid reader of The Tibetan Book of the Dead , Oscar espouses a philosophy that death is merely a transition, a hallucination where the soul frantically seeks a new vessel to inhabit. His theories are put to the test when a drug deal goes wrong, and he is gunned down by police in a dingy bathroom.
